Scott Myles
Born 1975 Dundee, Scotland
Currently lives and works in Glasgow
Education
1995 Study exchange program with Cornish College of Arts, Seattle
1993- 1997 BA (Hons) Fine Art, Duncan of Jordanstone College of Art, Dundee
Selected Solo Exhibitions
2011
David Kordansky Gallery, Los Angeles
2010
The Breeder, Athens
Glasgow Print Stugio, Glasgow
2009
Search & Research, Projects in Art & Theory, Cologne
2008
On interchange/interludes of a collection, Museum Kurhaus Kleve, Germany
We Require A Response, Meyer Riegger, Karlsruhe
2007
ASKIT, The Modern Institute / Toby Webster Ltd, Glasgow
OPEN SPACE, Art Cologne, (with the Modern Institute/ Toby Webster Ltd, Glasgow), Cologne
Missing Words, The Modern Institute/ Toby Webster Ltd at Sadie Coles HQ, Heddon Street, London
2006
Grey Matter, Galleria Sonia Rosso, Turin
2005
The Breeder, Athens
Kunsthalle Zurich, Zurich
2004
HUO I Want to Know Everything!, The Modern Institute, Glasgow
2003
Jack Hanley, San Francisco
Liste 03, Basel (with Galeria Sonia Rosso), Turin
Galeria Sonia Rosso, Turin
Galerie Fons Welters (Playstation), Amsterdam
2001
The Modern Institute, Glasgow
2000
See You on the Other Side, Bulkhead Gallery, Glasgow
Selected Group Exhibitions
2010
SUPERNATURE, an exercise in loads, AMP, Athens, Greece
2009
The Black Page, Shandy Hall Gallery, Coxwold, England
Richard Prince and the revolution, curated by Jonathan Monk, ProjecteSD, Bacelona
Sculpture Show, Eastside Projects, Birmingham
Contemporary Scottish Art: New Acquisitions & Loans, Scottish National Gallery of Modern Art, Edinburgh
Prose pour des Esseintes, Karma International, Zurich
The Associates, Dundee Contemporary Arts, Dundee
2008
Reinvented: Study and Play, Gallery Jan Wentrup, Berlin
The Human Arc, Open Eye Club, Tramway, Glasgow
Members Exhibition, Transmission Gallery, Glasgow
How Much Wood Would a Woodchuck Chuck if a Woodchuck Could Chuck Wood, Kunstverein, Glasgow, Glasgow
Lifting, Forth Worth Contemporary Arts, Forth Worth, Texas
On interchange/interludes of a collection, Museum Kurhaus Kleve, Kleve
The Object is the Mirror (Part II), Wilkinson, London
2007
Wild West, Galerie Gebr Lehmann, Berlin
Lifting, Theft in Art, Peacock Visual Arts, Aberdeen
Laszlo Moholy-Nagy, Scott Myles, Ancient and Modern, London
De Gustibus, Broelmuseum, Kortrijk
Hot Rock, Transmissio Gallery, Glasgow
The Object is the Mirror, Layr Wuestenhagen Contemporary, Vienna
2006
Unborrowed from the eye, John Connelly Presents, New York
Life’s a Beach, Sommer Contemporary Art, Tel Aviv
Member’s Exhibition, Transmission Gallery, Glasgow
Tate Triennial: New British Art, Tate Britain, London
The Last Generation, Jousse Entreprise, Paris
2005
The Last Generation, Apex Art, New York
Prisms and Shadows, curated by Toby Paterson, Glasgow Print Studio, Glasgow
Theorema, Foundation Lambert, Musée d'Art d'Avignon, Avignon, France
Jack Hanley gallery L.A.
Photography as/within installation, Stella Lohaus Gallery, Antwerp
Member’s Exhibition, Transmission gallery, Glasgow
Solo show, solo soul, project by Chris Johanson, Baronian Francey. Brussels
Herald str & The Modern Institute present work, above GBE Modern, New York
2004
Souvenir, Hotel, London
Spacemakers, Lothringer Dreizehn, Munich
The Birthday Party, Collective Gallery, Edinburgh
Haute Street, (with Alan Michael and Sue Tompkins), Galerie Diana Stigter, Amsterdam
Synth, Kunstraum B/2, Leipzig, Germany
Genesis Sculpture, Domaine Pommery, Reims
2003
17 Reasons, Public Art Project, San Francisco
Listening to Judd, Maes and Matthys Gallery, Antwerp
The Moment of Fiction, Duncan of Jordanstone College of Art, Dundee
Para Signs, Elisabeth Kaufmann, Zurich
Galerie Krinzinger, Vienna
Members Exhibition, Transmission Gallery, Glasgow
Context, Form, Troja (Young Scene 03)", Secession, Vienna
Someone To Share My Life With, The Approach, London
The fragile underground, Bartwells Institute, London
2002
Presence, Fruitmarket Gallery, Edinburgh
What Will Become of Us (with Fred Pedersen), Tramway, Glasgow
Strike (curated by Gavin Wade), Wolverhampton Art Gallery, Wolverhampton
Shadazz 4 (VHS Edition): "Evil Eye is Source" (curated by Luke Fowler), screening at Fair, Royal College of Art, London
There is a Light Never Goes Out, Sonia Rosso Gallery, Italy
Group show, The Breeder project space, Athens
Half the World Away, Hallwalls CAC, Buffalo, NY, USA
2001
October, St. Vincent Street, Glasgow
Members Show, Transmission Gallery, Glasgow
Senselessness-lessness, Tramway, Glasgow
Knock-Off Knock-Off" Or Gallery, Vancouver, Canada
Pandemonium, Lux Gallery, London
Arco Art Fair with Transmission Gallery, Madrid, Spain
After Effect , CAN: Centre d"art Neuchɿtel, Switzerland
The Stray Show, Seven Three Split, Chicago
2000
Archibald, Campbell and Harley Photography Prize Stills Gallery, Edinburgh
A Very Nice Film Club, Vilma Gold, London
Members Show, Transmission, Glasgow
Someone, Somewhere, Project Room, Glasgow
Film Club, 78 Roselea Drive, Glasgow
Tonight, The Modern Institute, Glasgow
Glasgow Art Fair with Transmission Gallery
1999
Absolut Open, Inverleith House, Royal Botanic Gardens, Edinburgh
Fields and Rays and Green Numbers, Transmission Gallery at Pineapple, Malmö
White Bear zz, 78 Roselea Drive, Glasgow
1998
Monument Valley, Or Gallery, Vancouver
1997
Suburban Affair, 27 Cupar Road, Newport on Tay, Fife
Selected Bibliography
2010
Smolik, N 2010, ‘Scott Myles,Search and Research review, Projects in Art and Theory, Cologne’, ArtForum International, no. 6, February Issue, pp. 214-15
2009
Bartelik, M 2009, ‘Richard Prince and the Revolution: Critics’ Picks’, Art Forum, September Issue
Black, C 2009, ‘Star graduates share a cut and paste approach’, The Herald, April Issue, pp. 20- 21
Brown, H 2009, ‘A Proud Association’, The Courier: Features, p. 8
Cooper, N 2009, ‘The Associates’, The List, April Issue, pp. 89Mona, C 2009, ‘ Scott Myles’, Q&A Map, Issue. 19, Autumn 2009, p. 59
Mulholland, N 2009, The Associates, (exhibition review), Art Review, Issue 33, Summer 2009
Myles, S 2009, ‘Conversation with Clare English and Moira Jeffrey’, Radio Scotland, Tues 17th March, 2009
Tagliafierro, M 2009, ‘Sullying the Concept’, Mousse, Issue. 17, pp.95-97
2008
Haberer, L 2008, ‘Unlike Pairs’, Map Magazine, Issue. 14, pp. 42 – 4
Hubel, M 2008, ‘Eine Frage deer Wasserwaage’, BNN, 10 October
Lowndes, S 2008, ‘Scott Myles, The play between awareness and Image, photographs, objects, paintings and performance’, Frieze Magazine, Issue. 113, pp. 160
Reindl, U 2008, ‘On Interchange’, Kunstforum International, Issue 191, pp. 328-330
Sherwin, S 2008, ‘Scott Myles: Missing Words’, ArtReview, Issue 20, p. 156
2007
Gale, I 2007, ‘Conceptualism On The Clyde Is Myles Better’, The Scotland On Sunday, 16/09/07, p.19
Kennedy, A 2007, ‘Hot Rock’, The List, Issue 569, p. 92
Kennedy, A 2007, ‘Scott Myles – ASKIT’, The List, Issue 586, p. 90
Linklater, M 2007, ‘A Remarkable Discovery’, Scotland on Sunday, 14/01/07, p. 8
Mangione, N 2007, ‘Scott Myles’, Flash Art Italy, Vol. 40, no. 262, February/ March Issue, p. 116
Mottram, J 2007, ‘It’s a case of plastic fantastic in this curious display’, The Herald, 28/09/07, p. 20
Vincent, M 2007, ‘Scott Myles: ASKIT’, The Metro, 24/09/2007, p. 29
Vincentelli, A 2007, ‘Scott Myles’, MAP, Issue 12, p. 60
2006
Barrett, D 2006, ‘Tate Triennial’, Art Monthly, no. 296, May Issue, pp. 24-6
Esson, G 2006, ‘Art school makes mark at the Tate’, BBC NEWS ONLINE, 22/02/06
Gavin, F 2006, ‘Generation Transmission’, ArtReview, Issue. 01, p. 106
Gili, M 2006, ‘Con l'ispirazione rivolta a Sterne’,La Stampa: Torino Sette, 22/12/06
Hammonds, K 2006, ‘Tate triennial’, Tema Celeste, no. 115, Issue. May/ June,
pp. 96- 7
Smith, L, ‘Best of British: Art & Design Supplement’, The Independent, January, 2006,
p. 8
2005
Zefkili, D 2005, ‘Glasgow: Foreseeable Trends and Random Phenomena’, Local Folk, no. 2, February Issue
Zefkili, D 2005, ‘Scott Myles At The Breeder’, Athinorama Magazine, Issue. 253 Zefkili, D 2005, ‘Scott Myles At The Breeder’, Flash Art, no. 242,Vol. 38, pp. 87
2004
Akbar, A 2004, ‘Tate turns to Scottish artists for ‘interesting and daring’ creations’, The Independent, 15/10/04, p. 22
Johnston, I 2004, ‘Tate swoops for Scots’ art works’, The Scotsman, 16/10/04, pp. 10-11
2003
Bertola, C 2003, Scott Myles’, Tema Celeste, no. 99, Summer Issue, p. 91
Hunt, A 2003, ‘Someone to Share my Life With’, Untitled, Summer 03, p. 60
‘Scott Myles’. Frieze Art Fair Yearbook 2003 –4, October 2003
2002
Clark, R 2002, ‘What will become of us’, The Guardian, 31/08/02, p. 34
2001
Moira, J 2001, ‘October’, The Herald, 12/10/01, p. 18
2000
Moira, J 2000, ‘ Film Club’, The List, Issue 386, 11/05/00 – 25/05/00, p. 86
Lowndes, S 2000, ‘Archibald Campbell Prize’, The Metro, 14/12/00, p. 18
Mahoney, E 2000, ‘Absolut Open’, Art Monthly, February Issue, no. 233, p. 36
1999
Mahoney, E 2000, ‘Absolut Open’, The Guardian, 29/11/99, p. 15
1998
Findlay, J 1998, ‘Suburban Affair’, Flash Art International, no. 198, January – February Issue, p. 66
Publications
2010
De Voogd, P (ed.) 2010, A Full Stop: the Shandean; An annual volume devoted to Laurence Sterne and his works
2009
Graw, I 2009, The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonne, The Museum of Modern Art, New York, p 203
Wade, G (ed.) 2009, Sculpture Show, Eastside Projects, Birmingham, pp. 3- 5 & 16, 20/ 29
Morrison, Gavin & Fraser Stables (ed), Lifting:Theft in Art, Atopia Projects/Peacocks Visual Arts, Scotland, pp. 108-15
2008
Barunke, R 2008, On Interchange in On Interchange – Zwischenspiele einer Sammlung, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve,, pp. 84-91
Mönig, R 2008, Interludes, in On Interchange – Zwischenspiele einer Sammlung, Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve, pp. 97-99
Ruf, B (ed.) 2008, Blasted Allegories. Works from the Ringier Collection, JRP|Ringier, Zürich, p. 454
Der Gap Reader dokumentiert Programm und Veranstaltungen des deutsch- niederlandischen Projekts (gap) vom 2008
2007
Ruf, B (ed.) 2007, SCOTT MYLES, Kunsthalle Zürich, JRP|Ringier, Zürich
2006
Stout, K 2006, SCOTT MYLES in Tate Triennial 2006: New British Art, Tate Publishing, London, pp. 104-107
2005
Tufnell, R 2005, Scott Myles, Futura /The Breeder, Athens
Theorema: Une collection privee en Italie, la collection d’Enea Righi /Collection Lambert en Avignon, Avignon, pp. 86 - 87
2004
Bousteau, Fabrice, (ed.) 2004, Genesis Sculpture, Experience Pommery #1, , BEAUX ARTS MAGAZINE and Groupe Vranken Pommery Monopole, Beaux Arts SAS, Paris
Reichmuth, B 2004, Interim Report: 10 ARTISTS FROM GLASGOW, iSYNTH (Mark HKunstraum B/2, Leipzig; Revolver, Frankfurt am Main, pp. 9-16
2003
Herbert, M 2003, Scott Myles, Frieze Art Fair Yearbook 2003-4, Frieze, London
Lowndes, S (ed.) 2003, Social Sculpture, Art Performance and Music in Glasgow, STOPSTOP, Glasgow
2002
Tufnell, R 2002, Scott Myles, The Project Space, Athens
Wade, G (ed.) 2002, Strike, Wolverhampton Art Gallery, Wolverhampton, Alberta Press, London, pp. 70-1
McLean, E (ed.) 2002, Presence: New Works of Contemporary Art from Scotland, (exhibition catalogue), The Fruitmarket Gallery, Edinburgh
2001
Collins, P 2001, How Things Are & How Things Should Be, Pandæmonium, Biennial of Moving Images, The Lux Centre, London, pp. 64- 5
Woodley, C 2001, October, St. Vincent Street, Glasgow, pp. 31, 70-4
Printed Matter Projects
2008
A MAP Commission (Scott Myles, ‘Untitled’, 2008 and Henrik Olesen, ‘From: Some Gay-Lesbian Artists and/ or Artists relevant to Homo-Social Culture/ Detail: Woman’s Portraits by Female Artists’, 2007) with accompanying essay by Alessandro Rabottini, The Radical Everyday. Scott Myles and Henrik Olesen: Shapes of Boredom and Control, Steven Cairns, (ed.), MAP, Dundee, 2008
2007
Demeester, Ann, Will Holder, Dieter Roelstraete, (eds.), F.R. DAVID – “STUFF AND NONSENSE”, Issue 2, de Appel, Amsterdam, 2007, pp. 48-52
2006
Myles, Scott, OP ART, The Guardian, London, 08/04/06, p. 35
Myles, Scott, contribution to Tiffany, Artists Project as part of Parabol AM #1, The Supplement Issue, Parabol, Vienna, 2006, pp. 38-44
2003
Myles, Scott, Anne-Marie Copestake, TRIGGERTONIC.TV, in Helvetica, (exhibition catalogue published on the occasion of the exhibition Context, Form, Troy, Secession, Vienna), Secession, Vienna, 2003, pp. 79–84
2002
Myles, Scott, We Belong To You Thrushgrove Memorial Study Room, in Royston Road Parks, The Royston Road Project, The Centre, Glasgow, 2002, pp. 51-56
Myles, Scott, Untitled (Bottle Project), Greylodge, Dundee; Dundee Contemporary Arts, Dundee, 18 pages, edition of 500, 1999-2002
1999
Myles, Scott, Harvey Dingwall, Interview and Artists’ Project, in Product Magazine, Number 1, December/ January, 1999/ 2000, pp. 53-59
1998
British Mythic, Issues 4-5, British Mythic, Glasgow, 1998 - 2001
Scott Myles, Search and Research, Projects in Art and Theory, Cologne (solo), 2009, installation view
Scott Myles, Search and Research, Projects in Art and Theory, Cologne (solo), 2009, installation view
Scott Myles, The Meaning of Return (v), 2009, Unique screenprint on paper, 72 x 102 cm
Scott Myles, HOT SAND, 2009, Unique screenprint on paper, 102 x 144 cm (2 parts)
Scott Myles, Comparative Method (Modern Ornament), 2008, Aluminium, paint, 119 x 124 x 51
Scott Myles, Law of Large Numbers, 2008, Powdercoated steel, paint and screenprint on alumnium, 240 x 226 x 224 cm, Installation view, We Require a Response, Meyer Riegger, Karlsruhe 2008
Scott Myles, WORDS, 2008, Screenprint on aluminium, 100x141x5 cm, 39.4x55.5x2 ins
Scott Myles, The dream, 2007, Bay window, mirrored glass, paint, 340x140x45 cm, 133.9x55.1x17.7 ins, Installation view, Missing Words, The Modern Institute/ Toby Webster Ltd at Sadie Coles HQ, Heddon Street, London 2007-2008
Scott Myles, Untitled (It), 2007, Unique silkscreen on paper, 72x102 cm, 28.3x40.2 ins
Scott Myles, Untitled (Chair), 2007, Cast bronze, Acrylic paint, 49x75x51 cm, 19.3x29.5x20.1 ins
Scott Myles, ASKIT (I), 2007, Aluminium screenprint, marbling, 167x107.4x4.6 cm, 65.7x42.3x1.8 ins
Scott Myles, Mirror Room, 2007, Mirrors, Dimensions Variable
Scott Myles, Revolver, 2005, aluminium, georgette fabric, paint,
three panels, each: 248 x 130 x 3 cm
Scott Myles, Revolver, 2005, aluminium, georgette fabric, paint,
three panels, each: 248 x 130 x 3 cm
Scott Myles, Untitled ( Black Flag / MIT), 2005, silkscreen,
ink, paint on canvas, 122 x 162 cm
Scott Myles, We Are Building, 2005, silkscreen on paper, 2 parts,
72 x 102 cm each
Scott Myles, World in Nineteen Eighty-Four, 2005,
post card, frame, 37.5 x 31 cm
Scott Myles, The Public, 2005, wood, glass, steel, paint,
212 x 202 x 182 cm
Scott Myles, The Public, 2005, wood, glass, steel, paint,
212 x 202 x 182 cm
Scott Myles, The Public, 2005, wood, glass, steel, paint,
212 x 202 x 182 cm
Scott Myles, Untitled, 2004, silkscreen on paper, 72 x 102 cm
